BIG NEWS

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BLACKMAGIC URSA CINE 12K LF

Now Available at L MEDIA STUDIOS

Miami, FL – L MEDIA STUDIOS is proud to announce the addition of the BLACKMAGIC URSA CINE 12K LF to its professional camera lineup, now available with acclaimed Director of Photography Leonardo Gonzalez.

Designed for the most demanding productions, the URSA CINE 12K LF delivers unprecedented resolution, cinematic large-format imagery, and incredible dynamic range, making it the perfect choice for feature films, high-end commercials, and premium content creation.

DJI RONIN 4D 6K CINEMA CAMERA

Now Available at L MEDIA STUDIOS

Miami, FL – L MEDIA STUDIOS is proud to announce the addition of theThe DJI RONIN 4D 6K, renowned for its revolutionary four-axis stabilization, integrated LiDAR focusing system, and cinematic flexibility, proved to be a powerful tool on the F1 Movie,

delivering dynamic and precision-controlled shots under demanding conditions.

"It was a pleasure providing RONIN 4D services on the F1 Movie for Jerry Bruckheimer Productions," said Leonardo Gonzalez, and founder of L MEDIA STUDIOS. "Its versatility and stabilization allowed us to capture high-speed action with unmatched smoothness

and creative freedom."

CineMilled Action Arm Delivers High-Impact Opening Title Sequence for

BAD COMPANY

L MEDIA STUDIOS is proud to announce the use of the CineMilled Action Arm in the filming of the opening title sequence for BAD COMPANY, the highly anticipated new film shot on location in Miami. Lensed by Director of Photography Leonardo Gonzalez, the sequence showcases dynamic, fluid camera movement that immerses audiences

from the very first frame.

The CineMilled Action Arm, known for its stability, flexibility, and shock-absorbing performance, enabled the crew to execute complex tracking shots across challenging Miami environments—both on and off vehicles—without sacrificing cinematic quality.

"The Action Arm allowed us to capture the city’s energy with a level of movement and precision that traditional rigs couldn’t match," said Leonardo Gonzalez, DP of BAD COMPANY. "It gave us the freedom to push the camera into spaces and moments that really set the tone for the film."